by Diane Grace Goodman

 

 by Diane Grace Goodman

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 by Diane Grace Goodman

 

 

 

 by Diane Grace Goodman

 

 

 

 by Diane Grace Goodman

 

 

 

 

Amending Hope

 

2000

Amending Hope was made possible in part by a FY 2000 Fellowship Grant from the Minnesota State Arts Board, through an appropriation by the Minnesota State Legislature and a grant from the National Endowment for the Arts

 

 

 

 

 

 

"Three Generations", by Diane Grace Goodman

 

Three Generations.
 

Silk organza and Fiberglas webbing embedded in polymer medium, tulle, thread, embroidery floss. 19.5”H x 15”W x 2.5”D.
2000

 

 

 

 

 

 

"Three Generations, Detail", by Diane Grace Goodman

 

Three Generations. Detail.

 

 

 

 

 

 

 by Diane Grace Goodman

 

Crossing.
 

Silk organza and Fiberglas webbing embedded in polymer medium, tulle, thread, embroidery floss. 20.5”H x 10”W x 2.5”D.
2000
 

 

 

 

 

 

 

 

 by Diane Grace Goodman

 

Accommodation.
 

 

Silk organza and Fiberglas webbing embedded in polymer medium, tulle, thread, embroidery floss. 22”H x 16”W x 2.5”D.
1999

 

 

 

 

 

 

 by Diane Grace Goodman

 

The Letter.
 

Silk organza, paper, thread. 9”H x 11.5”W x 2.5”D.
2000

 

 

 

 

 

 

 by Diane Grace Goodman

 

The Letter. Detail.

 

 

 

 

 

 

 by Diane Grace Goodman

 

Fruit of the Earth #2.

 

Silk organza and Fiberglas webbing embedded in polymer medium, muslin, tulle, thread, embroidery floss, quilt batting, acrylic pigment. Potatoes: quilt batting, gel medium, acrylic. (Phototransfered image of my great-grandmother’s wedding dress,1895.) 50”H x 30”W x 5”D.
2000

 

 

 

 

 

 

 by Diane Grace Goodman

 

Fruit of the Earth #2. Detail.

 

 

 

 

 

 

 by Diane Grace Goodman

 

Jewels from her Hand.
 

Silk organza and Fiberglas webbing embedded in polymer medium, muslin, tulle, thread, yarn (dyed and stained), embroidery floss, quilt batting, acrylic pigment. (Phototransfered image of my grandmother’s wedding dress, 1913.) 50”H x 30”W x 5”D.
2000

 

 

 

 

 

 

 by Diane Grace Goodman

 

Jewels from her Hand. Detail.

 

 

 

 

 

 

 by Diane Grace Goodman

 

Study.

 

Acrylic and thread on paper. 11”H x 12”W.
2000

 

 

 

 

 

 

 

Shoah

 

 

2000

 

 

 

 

 

 

 by Diane Grace Goodman

 

Wall.
 

Fiberglas screen, muslin, quilt batting, silk organza, cotton fabrics, tulle, thread, embroidery floss, acrylic paint. 40”H x 48”W.
2000

 

 

 

 

 

 

 by Diane Grace Goodman

 

Wall. Detail.

 

 

 

 

 

 

 by Diane Grace Goodman

 

Pillar of Cloud by Day.
 

Silk organza, tulle, thread, embroidery floss. 9”H x 11”W x 2”D.
1999

 

 

 

 

 

 

 by Diane Grace Goodman

 

Pillar of Fire by Night.
 

Silk organza, tulle, thread, embroidery floss. 9”H x 11”W x 2”D.
1999

 

 

 

 

 

 

 by Diane Grace Goodman

 

Fraulager #1.
 

Mixed fiber, thread, copper and brass wire. 20”H x 16”W x 3”D.
1999
[The title is a reference to the 300 women’s prisons in Nazi-occupied Europe.]

 

 

 

 

 

 

 by Diane Grace Goodman

 

Fraulager #1.
 

Detail.

 

 

 

 

 

 

 by Diane Grace Goodman

 

Winter.
 

Silk organza and Fiberglas webbing embedded in polymer medium, cotton fabrics, tulle, thread, gauze,. 26.5”H x 18.5”W.
1999

 

 

 

 

 

 

 by Diane Grace Goodman

 

Red Sky.

 

Silk organza and Fiberglas webbing embedded in polymer medium, cotton fabrics, tulle, thread, cording. 27”H x 18”W.
1999.

 

 

 

 

 

 

 by Diane Grace Goodman

 

Listen to the Sound of the Wheels Screaming.

 

Silk organza and Fiberglas webbing embedded in polymer medium, mixed fabrics, tulle, thread. 35.5”H x 17.5”W.
1999

[During the Hungarian transports in 1944, a congregant asked, “Rebbe, what will become of us?” as the crowded cattle car entered Auschwitz/Birkenau. The rabbi answered, “Listen to the sound of the wheels screaming.”]

 

 

 

 

 

 

 by Diane Grace Goodman

 

A decree has been issued by Goering protecting frogs.

 

Mixed fiber, thread. 19”H x 15.5”W x 3”D.
1999.

[The title is a quote from L’Univers Concentrationnaire by David Rousset, 1946. The photomontage image is a reference to the Nazi “euthanasia” program (1939-41). Thousands of mentally and physically disabled citizens, described by Nazi eugenics as “life unworthy of life”, were systematically killed under the direction of compliant physicians.]

 

 

 

 

 

All of the contents of this web ©1997-2005 Synergy Studios
Photos: Petronella Ytsma